Monday, March 29, 2010

Call for Entry - LoDo Alley Cat Arts Festival

LoDo Alley Cat Arts Festival

The LoDo Alley Cat Arts Festival(LACAF) is a premiere arts festival whose mission is to enrich and diversify art and culture in the city of Denver, Colorado. This festival will provide Denver metropolitan area residents, businesses and visitors a premier arts event throughout one of the most historic districts in the state of Colorado known as “LoDo”.

LACAF invites you to apply to be one of 150-200 exhibitors at our 2010 event, a national celebration of visual and cultural arts. We anticipate consumer attendance of up to 100,000 visitors over a three day weekend period, on select streets and alleys in the heart of Lower Downtown Denver's historic district, LoDo. This event will provide patrons a unique and exciting opportunity to meet artists, view works and purchase art from established and emerging artists.

Proceeds from LACAF will benefit its producer, LoDo District, Inc., which is a membership organization that supports Lower Downtown (LoDo) Denver's unique historical, cultural and retail neighborhood, through marketing, education and advocacy.

Deadline: April 9th, 2010
Jury Fee: $35
Apply online at: zapplication.com

Labels: , ,

Friday, March 12, 2010

Radio Show: Annette Coleman

Two of Artwork Network's favorite artists, Annette Coleman and Jim Caldwell, have started a great Radio Show for artists. They cover topics such as keeping healthy studio habits, inspiration, and helpful tips of the industry.

Listen to last night's show, regarding "Art Habits and Keeping Studio Bound" with notable guests such as Mark Rossier, Steve W. Whitehead, and Artwork Network's own Amy Norton.

Eager to participate? Email Annette Coleman at annettecoleman@yahoo.com to get more details on how to call in on the live show or prerecord your thoughts.

Don't forget to sign up for show reminders on BlogTalkRadio.com/Annette-Coleman!

Upcoming Radio Shows:

3/18/2010-
Artists name names, what artists inspire their work
Artists talk about how other artists have inspired their work and why.
Can you see it in the work or is it a hidden influence?
9:30 PM
60 Minutes

-------

3/25/2010-
Venues for selling your art, what works for you?
A wide variety of artists from diverse backgrounds discuss the pros and cons of various art venues. Local, regional or national in scope what works for them.
Art Fairs, juried shows, coop galleries, galleries and open studios.
9:00 PM
60 Minutes

Labels: , , ,

Thursday, March 11, 2010

Artist Spotlight - Sheigla Hartman

A jury of four, including Anne Strauss, Associate Curator, Modern and Contemporary Art, New York's Metropolitan Museum of Art, selected the watercolor "Devil's Thumb, LaVeta" by Colorado printmaker and painter, Sheigla Hartman of Trinidad for the "Wide Open" show at BWAC [Brooklyn Waterfront Artists Coalition] March 13 - 28.

Ms. Hartman has a B.A. from Doane College in Nebraska and received the equivalent of an M.F.A. at a private school in France. She moved from Denver to Trinidad, CO 8 years ago.

BWAC [pronounced bee-wack], the largest artist-run not for profit visual art organization in New York, provides a valuable venue for emerging artists and is an opportunity for the public to see new and exciting work. BWAC's 25,000 square foot gallery in a Civil War-era warehouse on the Red Hook waterfront of New York Harbor also provides a vista spanning the Statue of Liberty to the Verrazano Bridge. The 147 images selected by the jury can be seen at www.BWAC.org, "current exhibition". Ms. Hartman's image is shown on page 3 of contributing artists.

Labels:

Wednesday, March 10, 2010

Travel: River Writing & Sculpting Journey

Page Lambert's River Writing & Sculpting Journey, For Women Only - As featured in Oprah's O Magazine

Spend 5 days with Special Guest Artists from the Santa Clara Pueblo

September 1, 2010
$1299 ~ 5 days & 4 nights

Page Lambert returns to facilitate a 5-day river-writing journey for women in Utah's beautiful Westwater Canyon on the Colorado River. This special trip will explore writing and sculpting as complementary forms of creative expression. Whether journaling or writing professionally, an established artist or just beginning, the natural world unleashes powerful creative energy. Personal writing and sculpting time is woven into the moments between floating down the Colorado River, hiking at your leisure, or relaxing on shore. Although this is not a workshop, creative discussions about sculpting and writing will take place at the river's edge and continue throughout the day, ending with readings under the stars. "Women rediscover a unique part of themselves in the natural world," Page says, "and we inspire each other in uniquely feminine ways."

For more information, contact SGE or Page directly at: (303) 842-7360 or page@pagelambert.com.


Details and itinerary available here.

Labels: ,

Thursday, March 4, 2010

Banker's Blog: Insurance

Is your artwork insured? I hope so! Now that we have established this fact, I will move on to the topic of this blog, which is not about obtaining insurance. Instead, I am going to discuss what to do after you have our work insured. If you read no further, at least read this:

It is extremely important to keep a record of your current inventory and a record of past sales!


As they say, hope for the best, but prepare for the worst. We can all hope that nothing will ever happen to your artwork, but no matter how careful you are, things do happen. If your artwork is lost, stolen, or damaged, the first thing your insurance agent will ask you is this: What is the value of the piece? The second thing will be: Prove it.


Can you prove it? Do you have a record of similar works and what they have sold for in the past? No? Then you might be out of luck.


Simply stating the retail price of the piece to the insurance agent won't cut it. Unless you have proof you have sold work just like it or similar at that price, the retail price means nothing to the insurance company. They are interested in the market price, meaning what price buyers will actually purchase it for.


Inventory your existing work and your sold work.

o Photograph all work. If you don't have skills in this area, hire a professional to do it. It is worth the money! Don't forget to photograph the piece from all angles.
o Record sizes, medium, and all other details of the piece including the date of sale.
o Keep all paperwork involved with a sale- invoices, copies of checks, etc. (You should have all this for bookkeeping purposes anyway, but be sure to keep it on file!)
o Create a comprehensive record of sold works in one place. You may try keeping a notebook or photo album that includes an image of the piece sold piece, the details, the price it sold for, to whom, and date of purchase. Even better, if you have a website, mark works as sold with the sale price and any other pertinent information.
o Have a back up of all this information off site -- away from the work itself. (A website is a good place for this!)

If, in the event of a claim, you are able to hand your insurance agent this comprehensive record, it will greatly speed up the process and likelihood that the claim will go through. Having a link to send to an insurance agent is a good start towards proving your past sales, but they will also want to see the paperwork to back it up!


Artwork Network provides a solution for our members by including a sold section with their online gallery. We will load any work sold by that artist even if it was sold before they were a member. But, like any tool, it is only useful if it is utilized.


Keep in mind that the same process applies even if work is damaged while in the possession of someone else. First off, the third party is not obligated to claim the loss or damage on their insurance. If they are nice enough to do so it will still be up to you to prove the worth of the piece.

Basically, if you are insured, but cannot prove what your artwork is worth based on previous sales, than you will likely only be able to claim the cost of materials for the piece.

The information provided above is based on our past experience only. Please talk to your insurance agent if you have any questions.


Labels: ,

303 Magazine - Wedding Party (Update!)

More information about 303 Magazine's Wedding Party has finally been released! Here's the scoop:

Celebrate the release of the March issue in an event designed to feel like you’re crashing a wedding reception.
Dress code: BLACK & WHITE cocktail attire.
$15 in advance, $20 at the door

Includes:
Complimentary sponsored drinks by Svedka vodka and Trumer Pils Beer.
Two floors of Art Exhibits
Register for a chance to win a year in Aspen/Snowmass
Performance by featured March artist: Ali Pierre
DJ Hotness spinning all night
Cake by Mike Schettler
Chocolate fountain
21+

For details on the time/date, and to snag yourself a ticket, click here.

Labels: , ,