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Art Collecting 101

SPIRE, Denver’s best-selling high-rise living community, is set to host a panel and discussion for area art enthusiasts during Denver Arts Week. This free event, sponsored by Artwork Network and the Clyfford Still Museum’s 1944 Society, aims to educate new and aspiring collectors, as well as offer a chance to explore, experience, and enjoy SPIRE’s luxurious amenities.

Guests can expect to learn tips and advice about collecting art from some of the most respected members of Denver’s art community. Each of the knowledgeable speakers will offer varied perspectives to new and aspiring collectors on how to critique, acquire, and care for artwork. A tour will immediately precede the panel discussion to allow guests to see theory in play, above the Denver Skyline on Spire 38th floor. Several paintings by Artwork Network artists, Tadashi Hayakawa (Parker, Colorado) and Michael Moon (Los Angeles, California), will be featured.. This event marks the beginning of Artwork Network’s new Art Rotation services for the SPIRE. Every 90 days a new selection of artwork will be on view for current and prospective residents of this luxury community.

The event will be held on Thursday November 8, 2012 from 5:30pm to 7:30pm in the 9th Floor lounge at SPIRE, located at 891 14th Street in downtown Denver. Tours of the units will occur from 5:30-6:30 pm with the panel starting at 6:45 pm. Guests will enjoy complimentary beer, wine, and appetizers, and will have the opportunity to enter to win exciting raffle items. The event is free to the public. Space is limited. To RSVP visit www.clyffordstillmuseum.org and select member programs or call (720) 354-4871 to make your reservation today.

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Art Collecting 101 for Grown-Ups

Huffington Post had a great article last week with tips on collecting art:

“Many art lovers reach a moment when their artistic taste has become too sophisticated for posters but original fine art is still financially out of reach. Luckily, in the past few years many options have emerged, notably on the web, for building an art collection that looks great, reflects your personal style and won’t break the banksy (art humor).”

Patric Johansson via La Maison d'Anna G

The article goes on to recommend several great nuggets of wisdom for anyone who is just starting their art collection.  My favorite tip – and one I personally advocate to anyone who asks – is “Trust your taste and don’t overthink it.“  More often than not, you’ll know in your gut a piece of art is perfect match for you (sounds a bit like Dating 101 doesn’t it?).  However, I might be inclined to rephrase this tip as:  the art doesn’t have to match the couch.

Check out the whole article here.

What are your personal obstacles for starting a collection?  Do you agree or disagree with these tips?

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Art in the… Bathroom?

Every now and then someone asks for help in choosing art for the most taboo of places: the bathroom. There is no question it’s the most overlooked of spot for a work of art, and one of the most feared. However, it IS possible to hang art in a bathroom – and the result can be unexpectedly fabulous. Some types of art fare better than others, so do you research first (or call a framer for advice).

Check out our “Art in the Bathroom” Pinterest board for an ever-growing collection of inspiration!

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A Discussion: Year Created

Is old art BAD art?  Periodically we get questions about the “year created” on artwork. Change it, hide it, covet it – what does the date have to do with anything?

If art isn’t dated, you can’t see the artist’s progression.

Creating an accurate timeline is important in inventorying artwork.   “Art is not only aesthetically pleasing, it is also an historical document reflecting a specific time in an artist’s life and work,”  Lucas Boyd, Artwork Network’s Artist Development Manager, writes.  “As an artist, my work evolves.  I think not dating my pieces may misrepresent me -  it reflects who I am in a specific moment.”

Older art is not inferior to new art:  it’s like fine wine, not old milk.

It is not unheard of for galleries to hide the year created as a sales strategy.  The thinking is, if a buyer sees the piece is old, they will wonder why it hasn’t been sold and will second guess their interest.  However, as a seasoned gallery employee Aaron Bible points out, “If a work is properly archived, it shouldn’t matter what year it was created.  That’s like saying new wine is better than old.”

There’s certainly a reason why collectors covet the early work of master artists.  Dates are an important aspect for anyone in any role of the art world.  If we covet the childhood doodles of Picasso, why would we push contemporary artists to devalue their own creative history – as if it was a carton of milk with an expiration date?

A connection is a connection – no matter when the art was created.

It is my personal opinion as an art collector that it matters little what age a piece has.  I look for a piece that speaks to me, with less concern of how long the paint has been dry.  But should my collection ever need to be appraised down the road, I would want all the information available at my fingertips.   That’s why Alan Kircher, owner of Artwork Network, says simply, “Transparency is key – no secrets for the buyer.”

So, what do you think?  Is the “year created” important to you?  Do you put it on your art?  When you’re buying art, do you look for its date?

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Art Dictionary: “In-Situ”

"Yellow Feather" by PJ Bergin

"Yellow Feather" by PJ Bergin

One of our artist members, PJ Bergin, used the term “In-Situ” in her recent correspondence.  It often befuddles a few people when it comes up in conversation, so I thought it would be a perfect entry in our “art dictionary” series.

“In-Situ” is a brilliant latin phrase meaning “In Position”.  Wikipedia cites it as when a piece takes into account (or made specifically for) a certain location.  More commonly it comes up as a term for the process of taking photographs of art in its environment.  Rather than showing the work all by itself, photographing “in-situ” can show dimensions and scale that might otherwise be lost.

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Trend: Hanging Art on Bookshelves

It was cropping up everywhere a few years ago, and now I’m seeing it again: pretty framed prints hung in front of bookshelves. I am definitely a book hoarder myself, and I love the floor-to-ceiling bookcases in my office, but they do take up precious wall space to hang my ever-growing collection. I’m inclined to like this inventive idea of combining these two loves, if I can make it seem a bit more practical. I would hate to be constantly reaching around frames – perhaps if the art was hiding infrequently used books? Or maybe this is a very clever way of hiding away stereo equipment or your combination safe? What do you think – do you love it or hate it?

Credits: Images from Pinterest. Click to see more images!

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Trend: Art Shelf

The new “art shelf” trend can keep your walls hole free, get treasured pieces above little hands, and unify a disjointed collection.  What’s not to love?  Check out these examples from the web, including a DIY tutorial from HGTV on how to create your own “art shelf”.  Now go forth and shelve things!

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Trend: Hiding the TV with Art

It’s a designer’s golden rule never to have the TV be the focal point in a room, but today’s big glossy wide screens will draw the eye, regardless of where you put them.  A solution?  Hide the TV behind artwork.  Seen in the move the Thomas Crowne Affair ages ago, this is a trend that still keeps popping up everywhere, and people either love it or hate it.  Personally, I’ve never had any trouble embracing the look of technology, but then again, my modern tastes allow for it.  How about you?

Want to try it out for yourself?   There’s a lot of expensive mechanisms for remote control operated hinges, but I’m just as impressed with this quick DIY tutorial from the blog “Johns Journal”, where savvy Maria attaches an L bracket to the back of her art for some tv-hiding magic.

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Why Try Art Consulting? #1

Digital Placement Sample from Recent Project

Why Try Art Consulting?
Reason #1: Digital Placement

Buying art online doesn’t have to be a nail-biting experience.  Other art sites let you place your favorite pieces in a sketch of a room, which is great except it looks nothing like your furniture and your walls.  Artwork Network takes it a step further – we scale your favorites to the right size and digitally place them directly into your photos.  Not only does it make it easier to narrow down between your top selections, you’ll be able to tell instantly if the color, size, and style is the perfect fit.

Send me an email to jessica (at) artworknetwork.com, and I’ll let you try it for free!

Step 1.  Pick two pieces from Artwork Network’s extensive online selection that you’ve been dying to add to your collection (or, if you’re an interior designer, two pieces that would look great with your client’s new look)
Step 2.  Snap a few photos (taping a standard sheet of 8.5″x11″ sheet of paper works great for reference)
Step 3.  Email it all to me and check out the results!

Act fast!  This offer is only good until 11:59 pm on Saturday, July 9th, 2011.  Just mention code ‘AC-FREE7911‘!

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Why Does Art Cost so Much?

Photo by Bruce Norman

I came across a wonderful article from Jason Brockert, asking the age-old question “Why Does Art Cost so Much”? I’ve reposted it here with his permission.  I highly recommend visiting his blog “Coloured Mud” for some other insightful (and humorous) entries about the art world!

Why Does Art Cost so Much?
by Jason Brockert

A gallery I work with called recently and recounted about a potential client, loved your work, blah, blah, blah…but… They would like a discount on the price, 10%. Is that possible?

Anything is possible and this got me thinking how little is known about the outrageous prices we artists have the gall to to charge. I offer a hypothetical to explain away some of the confusion.

You visit the city and decide to take in a few art galleries before dinner. You walk around the first gallery, admire the work and see a small framed painting that catches your eye. A quick perusal of the price list and…what! $850 for an oil painting 12×12 inches and barely 14×14 with the frame? You walk out shaking your head wondering how you could charge so much for something so small.

That next day, your car decides that the trip to the city and all the requisite potholes were too much. Clunk and you’re stuck on the side of the road. As the tow truck lifts your car you are pretty sure the sound of the clinking chains bears an eerie resemblance to the sound of money leaving your pocket. “Transmission’s hurtin” says your mechanic. “$415 in parts and 5 hours labor @ $87 per hour comes to… $850.”

You pay, because what else can you do?

OK, buying art and getting your car fixed aren’t really the same things but a few parallels are apt to explore.

Car parts certainly cost more than art parts. That 12×12 painting probably breaks down roughly and thusly;

Canvas – $20
Paint – $10
Frame – $60 (no assembly, just the frame)

Your total cost of materials so far is about $90 without a single brushmark painted or hanging wire attached.

Now we go to the labor costs and if we follow our mechanic analogy and assume an artist’s time is worth at least that of a mechanics (I am in no way disparaging mechanics whose jobs are very difficult but I also believe something as rigorous and specialized as making art deserves at least equal consideration.) The slippery part comes in figuring how much time a painting takes to make (that is the industry standard first question you are asked by fellow artists and public alike – “how long did it take?”) and the answer is…it depends.

What kind of painting is it? Is it a highly precise image (slower) or something more loose (faster.) As a younger artist I often made many more poor choices that needed a lot of rectifying and time spent. As an older artist my process is a little more efficient and faster. You also rarely work on a single piece from start to finish with a stopwatch in hand so we are faced with a best educated guess. Roughly 8 hours, start to finish seems reasonable for a 12×12 painting.

Back to our analogy and we find our labor costs at $87 per hour x 8 hours = $696

Plus, we need an hour or so for touch up and assembly of the frame with the painting (bring an unframed painting to a frame shop and just try to walk out without spending at least $100) so we can add, say $50 of framing labor to our cost.

Our total cost of the painting now sits at $836 which is an odd price to display so we rounded up to $850 for good measure.

Now comes the tricky part. The gallery will take 50% of the price that it sells for (pretty typical industry standard.) so your return just went down to a meager $425. In addition, we are in a bad economy and as a mid career artist, the cache of your name and art isn’t high enough to allow you to raise your price well beyond that $850 mark so you and the gallery figure $850 to be a reasonable price. (In defense of galleries and their commission; they market your work, rent a spot in high trafficked areas and serve as free museums for the public with nearly 12 new shows a year. The job they do is just as tough with much more overhead than your typical artist so they generally earn the commission.)

If and when your piece sells you will be cut a check for $425 minus an immediate $90 for those fixed supply costs and you are left with $335. For good measure let’s round to $300 in thinking of studio rent, utilities, marketing, etc and because those hidden costs don’t hide on the first of the month.

So, for a conservative 9 hours of work you made $300. Not quite the $87 an hour your mechanic makes as it actually breaks down to only $33 per hour. Still, $300 a day would come out to about $70,000 a year! Fantastic! If…you… make… a painting… a day… that can sell for $850 each… and you sell every single piece you make… then and only then will you make such a nice living.

At the end of the day, making art becomes a labor of love plain and simple. Those 8 hours you’ve “allotted” for your piece might easily turn to 16 or 20 or more as the dictates of a creative process demand. You rarely think financially when you are making the work and you do your best when it is finished to find a reasonable price that covers both time and materials with some equity. What is interesting is when you compare the relative cost of art to other professions and think of the benefit versus cost… Let’s just say, the art will last a lifetime and the rebuilt transmission… until the next pothole!

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